About a kidnapped hostage's life, and the frustration his family, a special ops team, and a man in charge of delivering the ransom money all feel as they rush to save him.

An immigrant unable to speak the local language, Mya works as a dishwasher in a busy restaurant. One night at the end of her shift, Mya finds a homeless man in need of medical assistance behind the restaurant. After managing to get help for the homeless man, a miscommunication with a police officer leads to a series of intense situations. In order to place the audience in the perspective of an immigrant, the entire film is spoken in a fictitious language.

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From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.

The story unfolds around the year 1860. Louis, a photographer, convinces the general of the French Army to send him to Mexico to photograph the colonial war that is ravaging the country. Once he is there, nothing goes as planned. Never in the right place at the right time to see the battles, Louis can't snap a single picture of the war. But his encounter with Pinto, a Mexican peasant, changes his destiny. It leads him to discover neither glory nor wealth, but a way to confront the ghosts of his past.

The life of a caste fanatic girl, who aspires to get married to a goon, becomes a roller-coaster ride after she realises that she's with the wrong person.

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Tae Pyeong is a prophet. When he looks into someone's eye, he can see the moment right before they die. Tae Pyeong is smart, rich and handsome. Despite his special ability, he is a bright person. A mysterious serial murder case draws Tae Pyeong's attention. He partners with Detective Joon Young to solve the string of murders.

1949. Just before the most important and brutal battle of Chinese civil war, an elite small group of PLA commandos infiltrated across the Yang-tze river into the heart of KMT regime. Other than fighting behind enemy lines, the captain of the group had one special task: turning an official who served loyally in KMT army - his own brother.